Matching the design to the placement
Placement changes a design more than most people expect. Forearms, calves and outer thighs are relatively flat and forgiving, so they suit detailed work and symmetrical compositions. Ribs, hips and the sides of the torso curve constantly, which means a design has to be drawn to wrap rather than sit flat — florals and flowing ornamental pieces handle this well, rigid geometry rarely does. Wrists, ankles, fingers and behind the ear limit you to small, simple shapes because there's little room and the skin moves and wears. Sternum, spine and back pieces give you height and vertical symmetry, which is why they attract mandalas, snakes and long botanical stems. Decide the spot first, then adapt the idea to it.
